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Zack Snyder Reveals What Happened With Leonardo DiCaprio’s Lex Luthor Talks — And Why Jesse Eisenberg Won the Role

Zack Snyder Reveals What Happened With Leonardo DiCaprio’s Lex Luthor Talks — And Why Jesse Eisenberg Won the Role
Image credit: Legion-Media

Zack Snyder says Leonardo DiCaprio and Adam Driver were in real early talks for Lex Luthor in Batman v Superman — and explains why the role ultimately went to Jesse Eisenberg.

Zack Snyder just cleared up a long-running what-if: Leonardo DiCaprio and Adam Driver were both in the Lex Luthor conversation for Batman v Superman: Dawn of Justice. Real talks, real possibilities. But Snyder lays out exactly why he pivoted to Jesse Eisenberg, and it comes down to the specific flavor of brainpower he wanted to put across the table from Superman.

The Lex that almost was

In a chat with Josh Horowitz, Snyder said he could absolutely picture both DiCaprio and Driver building their own versions of Lex.

"I could see them forming it."

That said, he kept circling back to Eisenberg because the take felt sharper and more unpredictable in a 21st-century way.

Why Eisenberg won the role

Snyder describes Eisenberg as the most contemporary version of the character he could imagine. He wanted a Lex who was brilliant, but not in the obvious, boardroom-genius sense. More off-kilter. More dangerous. In Snyder's words, Eisenberg carried a 'diabolical' intelligence — the kind of guy who might burn a lot down to get what he wants. And the way Eisenberg talks through ideas in real time sealed it.

"I feel him inventing these ideas as he speaks them."

That improvisational, almost volatile intellect became the selling point.

The hair, by design

Yes, Snyder held back the classic bald look until the end of the film on purpose. The fully shaved-head Luthor only shows up in the final moments. He thinks if Eisenberg had been bald from frame one, the reaction might have tilted differently — and not in a helpful way for the story he was telling. He did not want to just drop a completed comic-book archetype into the plot without any personal context.

"You couldn't just plunk a bald genius down in the middle of the world and be like, Oh, of course he's a super villain. It needed a personal touch."

Whether Eisenberg's take worked for you probably depends on how you like your Lex: fully formed corporate shark right out of the gate, or a more unnerving disruptor finding his supervillain groove. Snyder clearly wanted the latter, and he cast the guy who could make that feel immediate — and a little scary.