TV

Is Wayward Based on a True Story? Mae Martin Spills the Real-Life Inspiration Behind the Netflix Thriller

Is Wayward Based on a True Story? Mae Martin Spills the Real-Life Inspiration Behind the Netflix Thriller
Image credit: Legion-Media

Her parents promised a trip to New York to see David Letterman; she left home thrilled—and never returned.

Netflix is not exactly being coy with Wayward. Mae Martin took the simmering outrage around the troubled teen industry and turned it into an eight-part thriller that is equal parts escape plan and expose. It is a ride, and yes, I am going to talk about what happens inside Tall Pines.

Warning: spoilers for Netflix's Wayward ahead.

What Wayward actually is

Martin (Feel Good) created and stars in this limited series set at Tall Pines Academy, a therapeutic school in Vermont that, at first glance, looks like a glossy, perfectly calibrated fix for "troubled teens." Inside, it is anything but. Martin plays Alex, a cop who stumbles into the lives of best friends Abbie and Leila as they plot a breakout. Alex decides to help them escape and blow the doors off whatever Tall Pines is really doing behind all that marketing polish.

Where the story comes from

Wayward is fiction, but Martin pulled from personal history. They were labeled a wayward teen in the early 2000s, and their best friend was institutionalized at 16. If you were around back then, the cultural conversation around mental health — especially addiction — was... not great. The default framing was hedonism and moral failure, not self-medication or trauma. This was also peak daytime-TV-send-your-kid-to-brat-camp era.

The personal timeline is wild and very much informs the show:

  • Martin’s best friend was told she was going to see David Letterman in New York. She never came back.
  • About a year later, Martin got a call — she had escaped and phoned from a pay phone.
  • It took roughly two years for her to return home, and the stories she brought back were theatrical, bizarre, and nothing like care. Think behavior-modification pageantry dressed up as therapy.

Martin says they felt guilty — they were probably more in need of an intervention than their friend — and started imagining a rescue story. That is the seed of Alex, Abbie, and Leila. Martin also consulted that friend while writing Wayward, and there was someone in the writers room who had actually attended one of these programs.

The bigger picture: the troubled teen industry

If you have even casually scrolled Reddit or watched any of the recent docs, you know the TTI conversation has gone nuclear. This is a multi-billion-dollar network of therapeutic boarding schools, wilderness programs, and residential treatment centers, ostensibly for teens dealing with mental health issues and substance use. Some former students say it helped them. A lot of others describe neglect and outright abuse. Thousands of teens — mostly in North America — have gone public with their stories. So much of it relies on secrecy; the outrage is what happens when those doors crack open.

And then there is the pop-culture amplifier. Early 2000s daytime TV made a whole genre out of sending kids away. Dr Phil comes up constantly in those threads for popularizing the pipeline to camps and treatment ranches. Martin does not mince words:

"Both things are true, because he definitely is comedic. It’s absurd. He’s an absurd man. But it’s sinister when you look into it."

The money part (aka the inside baseball)

One detail Wayward nods to that absolutely tracks: incentives. Martin learned the drug counselor they were seeing got a commission for every kid he funneled to one of these schools. According to Martin, that is not rare. When you combine profit motives with parents who are scared and desperate for a solution, you get a marketplace that knows exactly how to sell certainty.

What’s real in Wayward, what’s invented

The show builds a disturbingly coherent system for Tall Pines. Martin and the team even created an internal bible for the school — rules, language, and a full taxonomy — to make it feel airtight and cult-adjacent.

The Leap: This is the big, secretive capstone ritual for a select few who hit the final developmental milestone, the Ascend phase. It is presented as a way to "process trauma" and "unlock total health," and it looks like a medicated baptism performed by Evelyn. In one scene, Alex’s partner Laura shrugs it off as "hypnotherapy." Important: the Leap itself is fictional. Martin blended in inspiration from 1970s cult practices for that final, no-coming-back step.

The Hot Seat: This one is very real. Also known as attack therapy, it is a confrontational setup where peers publicly tear into you until you break — specifically targeting the exact things you are most ashamed of. In Wayward, it is one of the emotional tent poles. The awful trick of it, as described by survivors and captured in the show, is the high that can follow: the repair, the group relief, the euphoria. That cycle can be intoxicating, and for a kid, it is a complete head-spin.

Final note

Wayward is not subtle because the industry it is skewering does not deserve subtle. It is a prison break story wrapped around a very old American habit of turning therapy into theater and punishment into profit.

Where to watch

Wayward is streaming now on Netflix. Plans start at £5.99 a month. Netflix is also available on Sky Glass and Virgin Media Stream.